
This is my most recent work. A large-scale triptych, Inner Sanctum. These pieces were inspired by my trip to England last year - specifically, an ancient mound in the Wiltshire area, West Kennett, Long Barrow, which was used for ritual - and possibly a burial chamber. Inner Sanctum is meant to imply the sacred space versus giving a literal depiction. The pieces are oil on canvas with gold leaf. Because they are oversize pieces, they are grommeted vs stretched on stretcher bars. When exhibited - they will have more space between them.
I often work in threes. Even if the panels or prints aren't necessarily a triptych, I like to hang three works together. I like the relationships, each playing off the other - and creating a simple balance. The power of three.
Last year, a friend (and art collector) suggested I paint a large triptych - with each piece being the size of the piece she had just purchased - 7'h x 5'w. Hmmmm....... I thought about it and took the challenge. Actually it's not the first large triptych I've done. A few years back I did 3 paintings on 1/4" aluminum - each 7' high. They didn't remain together. Two are in the collection of an architect, and the other is still available in the Bay Area. But I digress...
I consider this work abstract symbolism - if one has to put it in a category. For me, it has elements of the mystical and the spirtual. It refers back to the ancients, those that were close to the earth, the moon, the sky, and the four elements - fire, water, wind, and earth.
I often work in threes. Even if the panels or prints aren't necessarily a triptych, I like to hang three works together. I like the relationships, each playing off the other - and creating a simple balance. The power of three.
Last year, a friend (and art collector) suggested I paint a large triptych - with each piece being the size of the piece she had just purchased - 7'h x 5'w. Hmmmm....... I thought about it and took the challenge. Actually it's not the first large triptych I've done. A few years back I did 3 paintings on 1/4" aluminum - each 7' high. They didn't remain together. Two are in the collection of an architect, and the other is still available in the Bay Area. But I digress...
I consider this work abstract symbolism - if one has to put it in a category. For me, it has elements of the mystical and the spirtual. It refers back to the ancients, those that were close to the earth, the moon, the sky, and the four elements - fire, water, wind, and earth.
2 comments:
I think this is a really great way to keep in touch and in mind. Much more accessible than trying to fit it onto an email + links, as everything is in one place and it will be constantly evolving. Be great if it becomes lively and interactive with lots of comments,views and opinions from others. We didn't open up your images from Oz, because to do so involved registering details which then means you get bombarded with loads of junk mail. So if you put some on your blog it would be great. If not, will be seeing soon anyway as we're back in a few weeks. I'd like to ask a favor too. could I send you an email c/o you to print out and give to Jose and Agueda. I haven't reached them for nearly a month and wanted them to know all's well here and give them a bit of news and some pics from this part of the world. See you soon :-) Carol
Hey Glen...I'm quite excited to continue reading of your adventures...I feel like I'm right there too. You have once again inspired me to follow along on your great idea of blogging! Please take a photo of the gang at PV for me with an INSPIRATIONAL sunset! Adios amiga! Mary
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